By Bertolt Brecht
This quantity includes new translations to increase our photograph of 1 of the 20 th century's such a lot unique and idea frightening writers on tradition, aesthetics and politics. listed below are a cross-section of Brecht's wide-ranging options which supply us a unprecedented window onto the worries of a contemporary international in 4 a long time of monetary and political ailment. The ebook is designed to offer wider entry to the event of a dynamic mind, noticeably engaged with social, political and cultural procedures. every one part starts with a brief essay through the editors introducing and summarising Brecht's inspiration within the suitable 12 months.
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17) for more on the relationship between the institutions of the theatre and the new drama. Terror Against Literature The great writers of all periods have rightly insisted on the label 'revolutionary'; for their works were collective products. The lesser literati are, according to the prevailing social conditions, some reactionary, some revolutionary. But since their ideas are always concerned only with the immediate conditions - they emerge on the basis and have value only in respect of these conditions - when the conditions need to be changed (which is a matter of collective instinct and not immediately apparent to the writers themselves) 38 Early Writings and Polemics 1914-1928 these lesser literati need to be socialised by terror - which will be simple enough, given their lack of internal substance and their dependence on external forces.
Kerr with at least as much validity) as literature itself. It fixed its gaze obstinately on its own navel at just the same time as the opinion gained general acceptance: that every corner of filth, seen through a 'temperament', had artistic value. The unhappy man who, trusting to his instinct, might have cast around for a weapon of some sort with which to despatch this unholy heap of irresponsible vanity, called literature, to its grave, could 'only' accuse it of a lack of wider perspectives. ] Typescript c.
Your opinions are harmless, your aesthetic forms have no force, your political stance (towards the Burgertum: deferentially ironic) is insignificant (and redundant even with regard to the Burgertum). The only thing that is dangerous about you and your dear departed intellectual giants is that they are messing up the allimportant means of production for us. After sitting musing for two whole decades, isn't it despicable just to write a poem, rather than supplying the south seas with automobiles?