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By Virginia Woolf

Outre los angeles grande romancière qu'on connaît, Virginia Woolf fut aussi une ambitious essayiste. Comptes rendus, essais esthétiques, pièces plus expérimentales ou plus personnelles : ces textes nous dévoilent le discussion ininterrompu de Woolf avec l. a. littérature – celle de ses contemporains comme celle des classiques. On découvrira aussi une femme engagée – pour los angeles reason des femmes, pour le monde ouvrier, contre l. a. guerre.
L'essai est pour Woolf un lieu de war of words avec los angeles culture littéraire, los angeles tradition mais aussi los angeles société. Elle y affute ses arguments, peaufine son sort, travaille sa voix. Inlassablement, Woolf réinvente les possibles de l'écriture.

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But the awakened eye does not lose the power of the glance, once the dream is totally extinguished in it. On the contrary: it is only then that the glance really penetrates. It ceases to resemble the glance of the loved one, whose eye, under the glance of the lover Fig. 8 Fig. 9 Fig. 10 Fig. 11 1“Disjointed scribbling” is the Jacobsons’ translation of verzettelter Schreiberei, heading of this chapter. I have chosen “scrappy paperwork” instead. 2Translation amended (from “frustrated book projects”) to convey sense in this context.

GB IV, p. 144 He who has once begun to open the fan of memory never comes to the end of its segments. No image satisfies him, for he has seen that it can be unfolded, and only in its folds does the truth reside—that image, that taste, that touch for whose sake all this has been unfurled and dissected; and now remembrance progresses from small to smallest details, from the smallest to the infinitesimal, while that which it encounters in these microcosms grows ever mightier. SW 2:2, p. 597 Memory does this: lets the things appear small, compresses them.

Discussion of Gabriele Eckehard, The German Book in the Epoch of the Baroque. On the top right-hand corner Benjamin has noted: “The Lit[erary] World VI, 23/6 June 1930”—printed, one side. Compare GS III, pp. 236f. 9 Walter Benjamin’s Paris address book (1930s)—shown here, pp. 33 verso and 34 recto. Fig. 1 Fig. 1 Literary history Philology Art history Psychology Religious science Fig. 2 Fig. 2 I Sönneken writings expanding file: Letters from all living male correspondents except for relatives and Gerhardi, Blumenthal, Sachs, Wolf Heinle.

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