Showing, Sensing, and Seeming: Distinctively Sensory by Dominic Gregory PDF

By Dominic Gregory

Definite representations are certain in a different strategy to our sensory capacities. Many photos express issues as taking a look yes methods, for example, whereas auditory psychological pictures express issues as sounding sure methods. What do all these distinctively sensory representations have in universal, and what makes them assorted from representations of different forms? Dominic Gregory argues that they're alike in having meanings of a definite detailed kind. He employs a bunch of novel rules with regards to different types of perceptual states, sensory views, and sensory kinds of aspiring to supply an in depth account of the distinctive nature of the contents which belong to distinctively sensory representations. The ensuing conception is then used to make clear quite a lot of highbrow matters. the various themes addressed in Showing, Sensing, and Seeming relate to distinctively sensory representations ordinarily, yet lots of them quandary distinctively sensory representations of extra particular forms. The e-book comprises specified philosophical examinations of sensory psychological imagery and photographs, for example, and of reminiscence, images, and analogous nonvisual phenomena.

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Additional resources for Showing, Sensing, and Seeming: Distinctively Sensory Representations and their Contents

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Encounters with known examples of sensory illusions supply some of the most striking illustrations of that last point. 1. 1. The Müller-Lyer illusion 2 This locution is employed in Burge 1993. MATTERS OF PERSPECTIVE 29 be longer than the upper one, although the lines are in fact the same length. Even when we know that the lines are the same length, however, the lengths of the lines still look to us to be different. 3 A further range of compelling and obviously relevant examples rely upon cases in which our acquisition of relatively recondite knowledge affects how we respond to what we seem to see.

The playback will thereby supply some relatively specific information about the pitches of the various ringings; it will not merely characterize the ringings as ‘having pitch’. More generally, suppose that we are given a distinctively sensory representation whose content is bound to some sensory modality. And suppose that the representation shows an item as having some features which enable us to place it under a fairly general concept C. Finally, assume that the following holds: any sensory episode falling under the relevant modality, in which we apparently encounter an item having properties which enable its categorization as falling under C, must amount to an apparent encounter with something of a comparatively more specific type.

12 Section 3 of Heck 2007 uses the sorts of points made above to argue that visual sensations involve contents that are, in a sense, non-conceptual. THINGS TO EXPLAIN 19 region. More generally, then, it is sometimes the case that, when we are apparently confronted in sensations by things having features which enable us to place the items under fairly general concepts, the apparently sensed items must seem sensorily to us to be items of comparatively more specific varieties. That observation is not very precise but it is nonetheless sharp enough to indicate a significant aspect of distinctively sensory representations, one which seems to arise from their distinctively sensory status.

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