John Sallis's Transfigurements: On the True Sense of Art PDF

By John Sallis

What is artwork fairly about? What is its precise sense? For John Sallis, we can't achieve a real knowing of paintings via basically translating its results into conceptual language. Rather, artistic endeavors has to be approached in a manner that does justice to their sensuous and enigmatic character—that illuminates their means to offer fact with out pretending to dispel the true secret at art’s center.             Transfigurements develops a framework for considering artwork via cutting edge readings of a few of an important philosophical writing at the topic through Kant, Hegel, and Heidegger. Sallis exposes new layers in those texts and theories whereas additionally marking their limits. via doing so, his goal is to teach that philosophy must attend to artwork without delay. for this reason, Sallis additionally addresses a variety of artworks, together with work by way of Raphael, Monet, and Klee; Shakespeare’s comedies; and the song of Beethoven, Schubert, Mahler, and Tan Dun. via those interpretations of vintage works from either fields, Sallis places forth a compelling new elaboration of the philosophy of art.

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Additional resources for Transfigurements: On the True Sense of Art

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3 Recognizing this power, the power that music exercises on the soul, bears directly on self-knowledge—for instance, recognizing, on 3. This theme is also taken up in several respects in the Republic. Perhaps most striking is the connection that Socrates indicates between music and politics: “For they must beware of change to a strange form of music, taking it to be a danger to the whole. For never are the ways of music [mousikh˜ ı troVpoi] moved without the greatest political laws being moved, as Damon says, and I am persuaded” (424c).

How is it now to be understood philosophically? One possibility would be simply to put aside the double character that painting was previously taken to have. Then painting could be regarded simply as depicting sensible things in their singularity and in their connections with other such things. The fact that artists of the past tacitly assumed the philosophical conception of painting and took themselves to be presenting, in their paintings, something beyond the sensible would now prove to have been mere delusion, no less so than metaphysics itself would seem to have been.

Zu stimmen] the mind to ideas of innocence, and the seven colors from red to violet [seem to attune it to] (1) sublimity, (2) courage, (3) candor, (4) friendliness, (5) modesty, (6) constancy, and (7) tenderness” (KU 302). The curtain rises now on the final scene. It begins with a song: not one that would merely translate into the sound of a voice something already written in nature, but rather a song in which something would sound forth originally, in which something would sound forth vocally in the same way that, in the sense-writing of nature, something shines forth significantly in nature’s charming script.

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